Laberintos de pasión is a Mexican telenovela produced by Televisa in 1999. Starring Leticia Calderon, Francisco Gattorno, César Évora, in addition to the participation of Manuel Ojeda, Monika Sanchez and Azela Robinson.

Fashion designer Joanna Crane leads a double life. By night she is China Blue, a prostitute who's attracted the attention of a sexually frustrated private detective, and a psychopathic priest in possession of a murderous sex toy.

Arturo Bolaño is a mediocre insurance salesman who loves women, booze and any short cut he can find to Easy Street. He thinks he's found it with the beautiful Rebeca Solis, the wife of the owner of the hotel where he stays on business. Rebeca wants nothing more than to escape from her husband and after Arturo falls in love, she asks him to help her get rid of him. The plan goes without a hitch but just as they think they are going to get away with murder, they receive an anonymous letter from a witness to the crime.

This is Su Zhong's second VR project, which combines imagery, dance and installation to create a kind of dialogue. It is an attempt at a directorial approach that falls somewhere between film and theatre. All of the scenes are taken from the paintings of Edward Hopper.

Behind the scenes of Edward Scissorhands

Women: Stories of Passion is a dramatic series that aired on the American cable television network Showtime and distributed by Playboy Entertainment overseas.The episodes were based on stories of love, and passion from a woman's point of view.

Tongue in cheek teleplay adaptation of Bram Stoker's Dracula.

The story of Joan of Arc is one of the most frequently told tales in cinema’s 100+ year history. This version is a postmortem/postmodern collaboration between Carl Theodor Dreyer and Marie Losier, who inserts herself into the 1928 film as God’s greatest lover and France’s most cherished martyr.

Edward Hopper (1882 - 1967) is one of the best known and most admired of American artists. He found poetry in quiet, private moments set in unexceptional places, such as anonymous hotel rooms, diners (Nighthawks), gas stations, and traditional houses. Within these urban or small-town spaces, Hopper created iconic images of American life that present us with the possibility of narrative, but ultimately remain enigmatic. Rather than depict a specific story, they suggest a universal, shared experience. This film traces Hopper's varied influences, from French impressionism to the gangster films of the 1930s. The documentary uses archival photos and film, specially shot footage of locations painted by Hopper in New York and the New England coast, and interviews with artists Eric Fischl and Red Grooms, scholars, and curators. Narrated by Steve Martin